To make a great film you need three things: the script, the script and the script.
Alfred Hitchcock
FAIRY GODMOTHER IN-TRAINING
The world of fae creatures has developed alongside ours: invisible and shrinking, but full of bakeries and coffee shops and carpenters. Every creature has their own type of magic–except for fairies. One such fairy, sixteen-year-old Piper, stumbles upon shady dealings that take her beyond the borders of the hidden city into the real world, where she meets a moody elf, an outcast wizard, and a plucky young human. Whether she likes it or not, she’ll need all of them to stop the mysterious force seeking to destroy the city.
SKIP
Mara doesn’t want much in life: a decent job with her strict boss, a quiet holiday break… She certainly doesn’t want to discover a strange man in the trunk of her car–a man who claims he doesn’t remember anything about himself, but seems to know a creepy amount about her. Even as Mara tries to get rid of him, his arrival has already attracted the attention of some dangerous people.
THE SORCERER KING (Master thesis project)
A musical stage production inspired by Charles Perrault’s fairytale “Bluebeard.”
Jennifer San Filippo 